Terra Trevor

Tomol Trek: California's Indigenous Peoples

Our classes are held outdoors under a bead-blue California sky. We work on a patch of green grass, an occasional hawk sweeping over with light shining through her rust red tail. Back in 1997, when there was money available to be used for education, the Santa Barbara County American Indian Education Project began the series “Tomol Trek.”

After much hard work, the project put together an academy with federal (Title V) funding. Each year the academy had a different focus. In 1997 the year’s final outcome was aimed at producing a modern-day recreation of a traditional Chumash tomol. The children and teenagers attending ranged from elementary through high school. Many were Chumash, but the kids represented a variety of tribes, all with a common bond: every one of these kid’s lives in an area that made up the traditional Chumash homeland. We all hold the culture, traditions, and history of the Chumash people in our hands and in our hearts.

The tomol, a type of plank canoe, is unique to the Chumash. Tomols were used for trips between the islands and Chumash settlements. Originally they were about thirty feet long, and could hold four thousand pounds. Usually they carried six people but could hold up to twelve.

Our modern-day tomol was built by the children under the guidance of Peter Howorth, in his backyard tomol building workshop. There is a perfect balance between master and apprentice as the children sand pieces of the vessel throughout construction. A dozen hands move slowly across the handle, moving towards the paddle end of an oar. Small hands, young hands, skin so smooth and maroon, peach-colored hands, muted brown, every child with a tribal memory circling her or his heart.

A kind of palpable energy surrounds the tomol project. People seem to want to be a part of what’s going on. American Indian students from Cal Poly and UCLA arrive to volunteer support. Before I know it, I’m one of those helping out. The more I sand, the closer I am to the tomol. Sometimes I stop in the middle of the day and am silent in respect to the ancient peoples who left the witness of their lives, their visions, the strength of their faith for us to ponder.

My son is one of those kids helping out. He knows about the pleasure found in working hard, and seeing the good results of that work. As he sands the pieces of wood I watch him find his relationship with the plank canoe he is helping to create.

Our real goal is not only the finished tomol; it is also the season long process of working together. Still, everyone eagerly waits the day the vessel will be launched. When the maiden voyage takes place, within the harbor, there is only a small gathering of people. Before the “official” crewmembers begin their training we get to know the tomol. Her name is Alolkoy—dolphin in Chumash. She is twenty-five feet long, and made of redwood. Conditions in the harbor are ideal. The sun is warm; a soft, steady sea breeze blows at our backs. We fill sandbags for ballast, and then one at a time, we each have a turn sitting inside the tomol.

My son, feeling his connection with the Tomol he helped build

Alolkoy is much lighter than I ever imagined. Slowly I become one with her. I only have to “think” of shifting my weight left, and she responds almost before I even move. By the end of the day I understand we should not take photographs while we are with her, not yet anyway. First I watch someone drop a camera into the ocean, and then the back of my camera opens, exposing my film.

Remembrance weighs heavy on my mind, as it does for most Native people seeking to affirm cultural identity in a high-tech world. There is a comfort in being with those who understand. Our kids do not have to trade in their Indian values for education; the project carried ancient memory and cultural knowledge into their lives today.

First Published in the winter 1997 issue of News from Native California, a quarterly magazine devoted to California's Indian peoples.

Postscript
A number of the children who participated in the Tomol backyard building workshop have grown up to become crewmembers making the crossings from the mainland to Limuw - Santa Cruz Island.

Tomol Evening: California's Indigenous Peoples

When I return from Limuw—Santa Cruz Island, at first I only want natural light. It is past ten when I rinse the salt water from my hair. Moonlight falls from the open window, a flood of light from above. I am still under the influence of sea tides springing strong.

I came to spend four days and nights on the island, to let come what may. I want to be helpful to my friend, eighty now and a deeply loved and respected, elder. Sometimes she needs a tiny bit of help fetching things and getting from here to there. I’m learning as she teaches me how to be helpful and grow old in a beautify way.

Used to be, when you walked on the island of Santa Cruz and looked around, all the land you could see was Chumash Indian land. The island was once home to the largest population of island Chumash with a highly developed complex society and life ways.

Marine harvest and trade with the mainland. Island Chumash produced shells beads used as currency. Grasses and roots for making baskets and other necessities for living were there for the taking. And so, apparently was the land.

Historical records show that by 1853 a large herd of sheep was brought to the island. The Civil War significantly increased the demand for wool and by 1864 some 24,000 sheep over grazed the hills and valleys of Santa Cruz Island. Some of the early buildings from sheep ranching still stand. Now, instead of sheep for the next four days the island is again filled with Indians.

We have come to honor the Chumash peoples' annual channel crossing from the mainland to the Channel Islands. A camp village is put up, where basket making, cordage making, song, prayer and storytelling take place. On day one we are about fifty Indians gathered. By Saturday, the day the Tomol arrives, there will be nearly two hundred of us, and the quote “a single bracelet does not jangle alone” describes us. The connectedness we have to each other is so much a part of our lives, it can’t be distinguished from our lives.

For the record, I am not Chumash. I’m of mixed-blood Cherokee, Lenape, Seneca, German descent. Yet for 40 years I lived in an area that made up the traditional Chumash homeland. I hold the culture, traditions and history of the Chumash people in my heart. For my Chumash friends this is their heritage, their landscape of time.

There’s real power here. When we leave the campsite village and walk to the rim of the island first there is silence. Raven and Sea Gulls at the waters edge dip and wheel and dive. Under a sky turned pink we go for a sunset swim. With much island and ocean and so few people there is the lazy wag of space. I float in the sea with my head surrounded by gulls and fledglings.

At dawn we wake to sunrise singers. A high sweet trill of voices, abalone beads swaying, carrying songs from the ancestors. The singers are letting us know it is time to gather for sunrise ceremony.

Next we wait for the paddlers to arrive. I stand with others on the shore and feel the sun rise from my heart. I’ve known two of the paddlers, a male and a female crewmember, since they were babies, and I’ve watched them grow to strong, beautiful, kind and responsible, young adults. Now I’m a sixty three year old grandmother, moving toward elderhood and I know the world that I will one day leave behind is in good hands.

If only in my mind I am again back in 1997, back when these two young paddlers where small kids and the Santa Barbara County American Indian Education Project began the series “Tomol Trek.” After much hard work, the project put together an academy with federal (Title V) funding and the year’s final outcome produced a modern-day recreation of a tomol. Our modern-day tomol was built by the children under the guidance of Peter Howorth, in his backyard tomol building workshop.

There was a perfect balance between master and apprentice as the children sanded pieces of the vessel throughout construction. A dozen hands move slowly across the handle, moving towards the paddle end of an oar. Small hands, young hands, skin so smooth and maroon, peach-colored hands, muted brown, every child with a tribal memory circling her or his heart.

Remembrance weighs heavy on my mind, as it does for most Native people seeking to affirm cultural identity in a high-tech world. There is a comfort in being with those who understand. Our kids did not have to trade in their Indian values for education; the project carried ancient memory and cultural knowledge into their lives today.

And now two of those children—now grown, are making the crossing. The paddlers leave the mainland at three a.m. There will be a careful change of crew three times. The moment the paddlers in the Tomol come into view my heart breaks open and I’m ageless and timeless and feel the welcome arms of the ancestors. The Tomol is brought forth from the sea and there is song and prayer.

Back at camp we prepare dinner, while island fox keep a steady eye trained on us. A near Harvest moon rises. We eat, talk, joke, and tell stories of past crossings to the island, and “the old ways” moving through our evening together like dancers, stirring to the same rhythm. All of the people, the paddlers and those that help make the crossing and camp village possible, are honored.

The day fades into liquid dusk and moonlight. Time is a continuous loop until our stay on the island comes to a full circle closure. Thankful for what I have been given, yet reluctant to let go, I prepare to leave and make the rounds to say goodbye to everybody who welcomed me.

On the boat ride to the mainland we are soaking wet, laughing. A Humpback whale is sighted in the ocean navy blue. In the Chumash language my friends sing in the whale, and she surfaces.

At home in earthen shadows, rinsing off the salt water and sand, I feel the light from the moon, full and wan. I braid a pungent memory and fill my lungs and my heart with it, knowing it will permeate my body and cling to my soul as a reminder of what I can feel when we are all together on the Island.

Tomol Evening was first appeared in News from Native California, a quarterly magazine devoted to California's Indian peoples published by Heyday Books. This essays is included in We Who Walk the Seven Ways: A Memoir by Terra Trevor (University of Nebraska Press).

An Afternoon with Wilma Mankiller

This morning my thoughts center on a day back in 2006, when I was among those who gathered with Wilma Mankiller, former principal chief of the Cherokee Nation. We had lunch together followed by an afternoon of conversation, outside on the grass, with the trees and birds, gathered with Native people from my community, and I was comforted with our common Indigenous bond, our shared essence.

I've been thinking about how lucky I am. When I least expect it I've had teachers, always showing up at the right time, exactly when I need them. For every success we have I believe it's important to remember how we got there. I wouldn’t have been able to accomplish all that I have without the steadfast guidance from good people who gave their time to me, mentoring, shepherding and guiding me along, and I am deeply thankful.

"When people cease waiting for great leaders or prophets to solve entrenched problems and look, instead, within themselves, trusting their own thinking, believing in their own power, and to their families and communities for solutions, change will follow. In traditional indigenous communities, there is an understanding that our lives play themselves out within a set of reciprocal relationships. If each human being in the world could fully understand that we all are interdependent and responsible for one another, it would save the world." —Wilma Mankiller

From: all-employees-bounces@lists.cherokee.org

[mailto:all-employees-bounces@lists.cherokee.org] On Behalf Of Chad Smith
Sent: Tuesday, April 06, 2010 11:13 AM
To: All Employees (mailing list)
Subject: Wilma Mankiller

Dear Friends,
Our personal and national hearts are heavy with sorrow and sadness with the passing this morning of Wilma Mankiller, our former Principal Chief. We feel overwhelmed and lost when we realize she has left us but we should reflect on what legacy she leaves us. We are better people and a stronger tribal nation because her example of Cherokee leadership, statesmanship, humility, grace, determination and decisiveness. When we become disheartened, we will be inspired by remembering how Wilma proceeded undaunted through so many trials and tribulations. Years ago, she and her husband Charlie Soap showed the world what Cherokee people can do when given the chance, when they organized the self-help water line in the Bell community She said Cherokees in that community learned that it was their choice, their lives, their community and their future. Her gift to us is the lesson that our lives and future are for us to decide. We can carry on that Cherokee legacy by teaching our children that lesson.

Wilma asked that any gifts in her honor be made as donations to One Fire Development Corporation, a non-profit dedicated to advancing Native American communities though economic development, and to valuing the wisdom that exists within each of the diverse tribal communities around the world. Tax deductible donations can be made at www.wilmamankiller.com as well as www.onefiredevelopment.org.

Autumn in Dixon, New Mexico

The land and the places where I have lived have shaped me. It serves as elder and friend. I walk in its grace, feel its solace and hear the stories it tells me.

For many years my long-loved friend lived in Dixon, New Mexico. His door was always open to me. The land where he made his home by the river is an ongoing character in my life.

My friend has finished his walk on earth and has crossed over to the other side. From flesh and blood to souls and songs.

I feel the wind spilling through the red and yellow leaves, and the fine dust from this red earth on my skin, as I walk the good land of the home I carry within.

Sunrise

A Small Wardrobe for a Lithe Life: Project 333

While growing up in a working class, mixed race neighborhood in Los Angeles, I had a small amount of clothing and usually only two pair of shoes. My grandmother sewed (wonderful) dresses for me, but only a few and yet I never felt lacking. Everyone I knew was scraping to get by, it was normal. I was dirt poor as a young adult, and yet I always felt that the few clothes I had looked great on me, and I was content. My early adult years were not focused on an over abundance of anything, and then somewhere along the way I took a wrong turn.

Then in 2011, I'd had enough and I joined a community of women and men committed to reducing the amount of clothes we buy and wear. My goal to cultivate a small wardrobe filled only with items I wear regularly led me to Project 333.

Although I frequently purchased items on sale and didn’t have any credit card debt, it occurred to me that I had too many clothes, and I was squandering my time shopping.

I’m moderately minimalistic in other aspects of my life. We grow a garden and I like to cook. The car I drive is an older economy model. I don’t buy a lot of gadgets. My home is decorated in an economical simple style, it’s comfortable and inviting, without a lot of stuff, and it is clutter free. But there was a time when my closet told another story.

In addition to writing, for a number of years I worked in a fashionable corporate environment and I had frequent meetings to attend. I also travel to speak at conferences and lead workshops and had fallen into the trap of thinking I needed a variety of outfits. So at first gaining a collection of clothes and shoes that filled my average-sized closet was fun. Then it became stressful because I had too many choices. Packing for trips had become torture. I prefer to pack light with only a small carryon bag, and I agonized over what to pack because I had a multitude of options.

I had good clothing that fit me well and was of quality. But I also had far more clothing than I needed. And like most people I had my favorites and everything else just hung on its hanger waiting for a turn to be taken out and worn. Although I had begun to edit monthly, giving away things I was not wearing, I still had too much.

Since my husband, my friends and co-workers shopped too, I decided to allow myself to believe that shopping was an acceptable hobby, as long as I didn’t over spend and kept within my budget. Looking back I’m embarrassed that I let my thinking go haywire.

Currently I’m working from home in a casual environment, and my work wardrobe needs have changed and provide me with the freedom to wear casual clothing. But if I ever return to working in an environment that requires professional wear I will maintain a small core wardrobe for work. Because most of all I've changed. I no longer want or feel the need to have excess.

The Project 333 target is to select 33 items of clothing, accessories, outerwear and shoes to keep in your closet and commit to wearing only those items for 3 months. Clothing worn only at home or exercise wear, underwear and sleep wear, are not included in the 33. However, the guidelines are not set in stone and can be adapted to fit your lifestyle. You can lower or up the number a bit if you prefer. The key point is to learn, reduce consumption and make positive changes.

Still, paring down was painstaking. I had a lot of good clothes that I always planned to wear, but seldom did. I spent days trying things on in order to make decisions. Finally I gave myself permission to let go of three large bags, all items I had formerly worn in the corporate work-world and no longer needed. It was hard because everything fit me, and all of it was good quality. But I didn’t need that many clothes and I no longer had occasions to wear most of it.

It took a lot of doing but I forgave myself for making the mistake of using poor judgment in the past. I reminded myself that since I now know better I will do better in the future. And I’ve reached that success. Today I have a simple, small collection of clothes I enjoy wearing regularly.

But it was a rocky road reaching the good place where I am now. Truth to tell, I participated in Project 333 twice before I finally found my rhythm. The concept of selecting 33 items and boxing everything else up was daunting. I kept wondering if I’d made the right choices, always second-guessing myself. Thinking that perhaps there was a better choice boxed up and I could swap it out.

So when the third round of Project 333 began, I decided not to box up or store any of my clothes other than the things that are seasonal. I gave away everything that I didn't love or didn't fit properly.

When purging initially I took some of my quality clothes to a consignment store to sell, but then I began to understand that I’d rather give my things away and donate to a charity that gives the clothing to women in need who were working in low paying professional office jobs.

Now that I have a smaller collection of clothes I’ve discovered that having less really does mean more. My closet and my clothes no longer overwhelm me. It is easy to get dressed every day. Now I usually find that I have the right outfit for every occasion. And on those rare occasions when I don’t, I do not dwell on it. I’ve learned that it is probably just a “moody” day for me, and it has nothing to do with my clothes. Instead of focusing on clothing lack, I journal write to discover what is lurking in my mind and deal with that.

Although I now have less variety in my wardrobe, I’m happier because it includes an outfit or two (or three) to cover all of my basic needs. I don't follow a strict 33 limit, instead I've opted to have a small wardrobe with everything kept inside my closet or my dresser drawers.

How many clothes do I have? Roughly I own about 80 items of clothing (about 40 items for warm weather and 40 for cold weather) that I could wear when I leave the house. My clothes mix and coordinate well, and since I stick with a few basic color combinations I find that everything works with other pieces to create a variety of options.

It makes packing for trips easy.

I have less laundry, which is easier for me, and better for mother earth.

I have better educated myself about the horrors garment industry workers face, and my responsibility to the planet.

The changes I’ve made have brought me back to caring deeply about sustainability and interconnectedness, traditional Native values that I was raised with, but were slipping away from me.

Our human brain is not wired for a multitude of options. Having lots of choices sounds delightful, but being faced with too many choices is stressful.

I've had a small wardrobe for a few years now, and I no longer think of Project 333 as an experiment in living with less. It has become a lifestyle for me.

Getting dressed is easier for me with less. I no longer spend a lot of time thinking, wondering and worrying about what to wear. I also no longer shop unnecessarily. Most days I’m happy. Happier than I have been in years.

Now that my load is lighter, my thoughts are lighter.

Minimizing and simplifying my clothing has also allowed me to see excess consumption in other parts of my life as well, and to make changes. Before I buy anything or bring a new item into my home, it’s important for me to ask myself:

“How much do I actually need it, in comparison to what it has taken from the planet and from workers, and from others in order to produce it?”

“How long will it last?”

“When and how will I dispose of it?”

The changes I’ve made give me a wide-open field of space and time to write, read, for long walks, to watch the sun rise, and set. To listen and give my full attention when someone speaks to me, to daydream, putter, pray to the earth, rest and renew my spirit.

Photo credit Beyond Buckskin.com