As a woman of Cherokee, Lenape, Seneca, German ancestry, I came of age understanding that I'm not totally white nor am I totally Native. I'm a border woman dwelling between the boundaries.
Take a Stand: Art Against Hate
A Raven Chronicles Anthology
“The poems and stories in this anthology offer necessary anecdotes against hate. They are inscription, instruction, witness, warning, remedy, solution, even solace. This anthology is relief.”
“We can regard Take a Stand: Art Against Hate as a print-form peace march, an ongoing campaign for justice for all of the struggles embodied in these writings and depicted in the artwork included here.”
There were difficult times too for this oak tree, when she witnessed wild fires raging, drought years with dust rising against the clear sky. The times when her branches sheltered human arguments and angry outbursts, but mostly she is surrounded by love and caring.
I stand high upon a flat rock, my eyes roaming, taking in the day, the years. Filling my lungs with sweet fragrances of the damp Mother Earth. Feeling my body grow light, like the feathers of the red tail hawk touching the soft clouds.
For the record I am not California Indian. I am an Indian born in California, mixedblood Cherokee, Lenape, Seneca, and for forty years I lived in an area that makes up the traditional Chumash homeland. I’m walking gently, a guest on this good land and I hold the culture, traditions and history of the Chumash people in my heart. For my Chumash friends this is their landscape of time.
I remember the words of my aunties and my grandmothers, about how each person is a connection to history and when we gather around the area and form a circle around the drums, singers and dancers we are all connected, and it's our way of saying that American Indian people are still here. This is our celebration of life past, present and future.
First published in the Spring 2019 issue of News From Native California a quarterly magazine devoted to California's Indian peoples.
© 2019 Terra Trevor. All rights reserved.
There was water for pie baking, and when the sun seared overhead water to mix with Kool-Aid to freeze into popsicles. Home canned goods must be put up in hot, sterilized jars and we had water for boiling before we used them. We had water to wash our hands before pressing a tortilla on a hot skillet, and it was clean and safe to drink.
When no one else believed in them, they believed in each other.
Set in the early 1980s, the story of The Cherokee Word for Water begins in a small town in rural Oklahoma where many houses lack running water. The film tells the story of a tribal community joining together to build a waterline by using traditional Native values of reciprocity and interdependence and is told from the perspective of Wilma Mankiller and Charlie Soap, who join forces to battle opposition and build a 16-mile waterline system using a community of volunteers. In the process, they inspire the townspeople to trust each other, to trust their way of thinking, and to spark a reawakening of the universal indigenous values of reciprocity and interconnectedness. This project also inspired a self-help movement in Indian Country that continues to this day.
“The Cherokee Word for Water” is dedicated to Wilma Mankiller’s vision, compassion and incredible grace, and tells the story of the work that led her to become the Chief of the Cherokee Nation. The film was funded through the Wilma Mankiller Foundation to continue her legacy of social justice and community development in Indian Country.
Other days I write without a goal or a plan. First, with pen and paper I write three pages of raw, rough draft thoughts. The purpose is to tap into my mind, and see what might be lurking in my subconscious. Later I pick through my journal and find selections to share in my online journal. My online journal at Earth and The Great Sea, is my open field to explore, think out loud, push boundaries and have fun. Wander along with me.
Recently an editor invited me to contribute an article about friendly places to experience Native American cultures. While researching the piece I had fun traveling from my armchair revisiting some of my favorite places.
You will notice that the title of the original article says culture. It ought to read cultures, reflecting the fact that Native American people are of many tribes, Nations, cultures, languages and histories.
I greatly enjoyed researching and writing the article and I’m thankful for the invitation to take my readers into Native America to visit the thriving lifeways of a continuing land and people.
Tending the Fire by photographer Christopher Felver with an Introduction by Linda Hogan and a foreword by Simon J. Ortiz, celebrates the poets and writers who represent the wide range of Native American voices in literature today. In these commanding portraits, Felver’s distinctive visual signature and unobtrusive presence capture each artist’s strength, integrity, and character. Accompanying each portrait is a handwritten poem or prose piece that helps reveal the origin of the poet’s language and legends.
As the individuals share their unique voices, Tending the Fire introduces us to the diversity and complexity of Native culture through the authors’ generous and passionate stories, reminding us that “Native Americans today are as modern as the Space Age, and each in their own way carries forth the cultural heritage ‘from whence they came.’ Their abiding legacy as the first people of this continent has found its voice in the hard-won wisdom of their art and activism.
Featured authors include: Francisco X. Alarcón; Sherman Alexie; Indira Allegra; Paula Gunn Allen; Crisosto Apache; Annette Arkeketa; Jimmy Santiago Baca; Dennis Banks; Jim Barnes; Kimberly L. Becker; Duane Big Eagle; Sherwin Bitsui; Julian Talamantez Brolaski; Lauralee Brown; Joseph Bruchac; Annette Saunooke Clapsaddle; Elizabeth Cook-Lynn; Jonny Cournoyer; Alice Crow; Lucille Lang Day; Susan Deer Cloud; Ramona Emerson; Heid E. Erdrich; Louise Erdrich ; Pura Fé; Jennifer Elise Foerster; Eric Gansworth; Diane Glancy; Jewelle Gomez; Rain Gomez; Sequoyah Guess; Q.R. Hand, Jr.; Joy Harjo; Allison Hedge Coke; Travis Hedge Coke; Lance Henson; Trace Lara Hentz; Inés Hernández-Avila; Charlie Hill; Roberta Hill; Geary Hobson; Linda Hogan; LeAnne Howe; Andrew Jolivétte; em jollie; Joan Naviyuk Kane; Maurice Kenny; Bruce King; Sharmagne Leland-St.John; Chip Livingston; Charly Lowry; James Luna; Lee Marmon; Molly McGlennen; Russell Means; Deborah Miranda; Gail Mitchell; N. Scott Momaday; Catherine Nelson-Rodriguez; Linda Noel; dg nanouk okpik; Simon J. Ortiz; Laura Ortman; A. Kay Oxendine; Juanita Pahdopony; Evan Pritchard; Mary Grace Pewewardy; Ishmael Reed; Martha Redbone; Bobby J. Richardson; Ladonna Evans Richardson; Barbara Robidoux; Linda Rodriguez; Wendy Rose; Kurt Schweigman; Kim Shuck; Cedar Sigo; Leslie Marmon Silko; Arigon Starr; James Thomas Stevens; Inés Talamantez; Luci Tapahanso; Nazbah Tom; Cecil Taylor; Rebecca Hatcher Travis; David Treuer; Terra Trevor; Quincy Troupe; John Trudell; Gerald Vizenor; Elissa Washuta; Floyd Redcrow Westerman; Orlando White; Kim Wieser; Diane Wilson; Elizabeth A. Woody
Click here to read more
University of New Mexico Press
The University of Arizona Press.
Children of the Dragonfly, edited by Robert Bensen, is the first anthology to document this struggle for cultural survival on both sides of the U.S.-Canadian border. Through autobiography and interviews, fiction and traditional tales, official transcripts and poetry, these voices— Seneca, Cherokee, Mohawk, Navajo, and many others— weave powerful accounts of struggle and loss into a moving testimony to perseverance and survival.
Included are works of contemporary authors Joy Harjo, Luci Tapahonso, and others; classic writers Zitkala-Sa and E. Pauline Johnson; and contributions from twenty important new writers as well. They take readers from the boarding school movement of the 1870s to the Sixties Scoop in Canada and the Indian Child Welfare Act of 1978 in the United States. They also spotlight the tragic consequences of racist practices such as the suppression of Indian identity in government schools and the campaign against Indian childbearing through involuntary sterilization.
Part 1. Traditional Stories and Lives
Severt Young Bear (Lakota) and R. D. Theisz, To Say "Child"
Zitkala-Sa (Yankton Sioux), The Toad and the Boy
Delia Oshogay (Chippewa), Oshkikwe's Baby
Michele Dean Stock (Seneca), The Seven Dancers
Mary Ulmer Chiltoskey (Cherokee), Goldilocks Thereafter
Marietta Brady (Navajo), Two Stories
Part 2. Boarding and Residential Schools
Embe (Marianna Burgess), from Stiya: or, a Carlisle Indian Girl at Home
Black Bear (Blackfeet), Who Am I?
E. Pauline Johnson (Mohawk), As It Was in the Beginning
Lee Maracle (Stoh:lo), Black Robes
Gordon D. Henry, Jr. (White Earth Chippewa), The Prisoner of Haiku
Luci Tapahonso (Navajo), The Snakeman
Joy Harjo (Muskogee), The Woman Who Fell from the Sky
Problems That American Indian Families Face in Raising Their Children, United States Senate, April 8 and 9, 1974
Mary TallMountain (Athabaskan), Five Poems
Virginia Woolfclan, Missing Sister
Lela Northcross Wakely (Potawatomi/Kickapoo), Indian Health
Sherman Alexie (Spokane/Coeur d'Alene), from Indian Killer
Milton Lee (Cheyenne River Sioux) and Jamie Lee, The Search for Indian
Peter Cuch (Ute), I Wonder What the Car Looked Like
S. L. Wilde (Anishnaabe), A Letter to My Grandmother
Eric Gansworth (Onondaga), It Goes Something Like This
Kimberly Roppolo (Cherokee/Choctaw/Creek), Breeds and Outlaws
Phil Young (Cherokee) and Robert Bensen, Wetumka
Lawrence Sampson (Delaware/Eastern Band Cherokee), The Long Road Home
Beverley McKiver (Ojibway), When the Heron Speaks
Joyce carlEtta Mandrake (White Earth Chippewa), Memory Lane Is the Next Street Over
Alan Michelson (Mohawk), Lost Tribe
Patricia Aqiimuk Paul (Inupiaq), The Connection
Terra Trevor (Cherokee/Delaware/Seneca), Pushing up the Sky
Annalee Lucia Bensen (Mohegan/Cherokee), Two Dragonfly Dream Songs
Pushing up the Sky’ is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story. Read more...
The University of Arizona Press
- Books containing my work with Indigenous themes (9)
- California Indians (3)
- Cherokee Word for Water (2)
- Earth and The Great Sea Journal (1)
- Just Having Fun (4)
- Living with Less and Other Minimalist Lessons Learned from Fire (1)
- Making a difference (5)
- Race adoption identity and themes of motherhood (1)
- Race Ethnicity and My Face (1)
- The landscape will teach you who you are (4)
- These are things I need to say (5)
- Up Close and Personal (5)
- Walking Gently This Good Earth (1)
- When a Child Dies Living With Loss Healing With Hope (3)