River, Blood, And Corn Literary Journal: A Community of Voices
An Afternoon with Wilma Mankiller
I've been thinking about how lucky I am. When I least expect it I've had teachers, always showing up at the right time, exactly when I need them. For every success we have I believe it's important to remember how we got there. I wouldn’t have been able to accomplish all that I have without the steadfast guidance from good people who gave their time to me, mentoring, shepherding and guiding me along, and I am deeply thankful.
From: all-employees-bounces@lists.cherokee.org
Sent: Tuesday, April 06, 2010 11:13 AM
To: All Employees (mailing list)
Subject: Wilma Mankiller
Dear Friends,
Our personal and national hearts are heavy with sorrow and sadness with the passing this morning of Wilma Mankiller, our former Principal Chief. We feel overwhelmed and lost when we realize she has left us but we should reflect on what legacy she leaves us. We are better people and a stronger tribal nation because her example of Cherokee leadership, statesmanship, humility, grace, determination and decisiveness. When we become disheartened, we will be inspired by remembering how Wilma proceeded undaunted through so many trials and tribulations. Years ago, she and her husband Charlie Soap showed the world what Cherokee people can do when given the chance, when they organized the self-help water line in the Bell community She said Cherokees in that community learned that it was their choice, their lives, their community and their future. Her gift to us is the lesson that our lives and future are for us to decide. We can carry on that Cherokee legacy by teaching our children that lesson.
Wilma asked that any gifts in her honor be made as donations to One Fire Development Corporation, a non-profit dedicated to advancing Native American communities though economic development, and to valuing the wisdom that exists within each of the diverse tribal communities around the world. Tax deductible donations can be made at www.wilmamankiller.com as well as www.onefiredevelopment.org.
Tomol Trek: California's Indigenous Peoples
After much hard work, the project put together an academy with federal (Title V) funding. Each year the academy had a different focus. In 1997 the year’s final outcome was aimed at producing a modern-day recreation of a traditional Chumash tomol. The children and teenagers attending ranged from elementary through high school. Many were Chumash, but the kids represented a variety of tribes, all with a common bond: every one of these kid’s lives in an area that made up the traditional Chumash homeland. We all hold the culture, traditions, and history of the Chumash people in our hands and in our hearts.
The tomol, a type of plank canoe, is unique to the Chumash. Tomols were used for trips between the islands and Chumash settlements. Originally they were about thirty feet long, and could hold four thousand pounds. Usually they carried six people but could hold up to twelve.
Our modern-day tomol was built by the children under the guidance of Peter Howorth, in his backyard tomol building workshop. There is a perfect balance between master and apprentice as the children sand pieces of the vessel throughout construction. A dozen hands move slowly across the handle, moving towards the paddle end of an oar. Small hands, young hands, skin so smooth and maroon, peach-colored hands, muted brown, every child with a tribal memory circling her or his heart.
A kind of palpable energy surrounds the tomol project. People seem to want to be a part of what’s going on. American Indian students from Cal Poly and UCLA arrive to volunteer support. Before I know it, I’m one of those helping out. The more I sand, the closer I am to the tomol. Sometimes I stop in the middle of the day and am silent in respect to the ancient peoples who left the witness of their lives, their visions, the strength of their faith for us to ponder.
My son is one of those kids helping out. He knows about the pleasure found in working hard, and seeing the good results of that work. As he sands the pieces of wood I watch him find his relationship with the plank canoe he is helping to create.
Our real goal is not only the finished tomol; it is also the season long process of working together. Still, everyone eagerly waits the day the vessel will be launched. When the maiden voyage takes place, within the harbor, there is only a small gathering of people. Before the “official” crewmembers begin their training we get to know the tomol. Her name is Alolkoy—dolphin in Chumash. She is twenty-five feet long, and made of redwood. Conditions in the harbor are ideal. The sun is warm; a soft, steady sea breeze blows at our backs. We fill sandbags for ballast, and then one at a time, we each have a turn sitting inside the tomol.
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| Photo courtesy of author My son finding his relationship with the Tomol he helped build. |
Remembrance weighs heavy on my mind, as it does for most Native people seeking to affirm cultural identity in a high-tech world. There is a comfort in being with those who understand. Our kids do not have to trade in their Indian values for education; the project carried ancient memory and cultural knowledge into their lives today.
First Published in the winter 1997 issue of News from Native California, a quarterly magazine devoted to California's Indian peoples.
Postscript
A number of the children who participated in the Tomol backyard building workshop have grown up to become crewmembers making the crossings from the mainland to Limuw - Santa Cruz Island.
Autumn in Dixon, New Mexico
The land and the places where I have lived shape me. The land serves as elder, and friend. I walk in its grace, feel its solace and hear the stories it tells me. For many years my long-loved friend lived in Dixon, New Mexico. His door was always open for me.
My friend has finished his walk on earth and has crossed over to the other side. From flesh and blood to souls and songs.
I feel the wind spilling through the red and yellow leaves, and the fine dust from this red earth on my skin, as I walk the good land of the home I carry within.
Photo Credit: Randy, Santa Fe Daily Photos.
The Cherokee Word for Water
There was water for pie baking, and when the sun seared overhead water to mix with Kool-Aid to freeze into popsicles. Home canned goods must be put up in hot, sterilized jars and we had water for boiling before we used them. We had water to wash our hands before pressing a tortilla on a hot skillet, and it was clean and safe to drink.
When no one else believed in them, they believed in each other.
Set in the early 1980s, the story of The Cherokee Word for Water begins in a small town in rural Oklahoma where many houses lack running water. The film tells the story of a tribal community joining together to build a waterline by using traditional Native values of reciprocity and interdependence and is told from the perspective of Wilma Mankiller and Charlie Soap, who join forces to battle opposition and build a 16-mile waterline system using a community of volunteers. In the process, they inspire the townspeople to trust each other, to trust their way of thinking, and to spark a reawakening of the universal indigenous values of reciprocity and interconnectedness. This project also inspired a self-help movement in Indian Country that continues to this day.
“The Cherokee Word for Water” is dedicated to Wilma Mankiller’s vision, compassion and incredible grace, and tells the story of the work that led her to become the Chief of the Cherokee Nation. The film was funded through the Wilma Mankiller Foundation to continue her legacy of social justice and community development in Indian Country.
An All-American Korean American 4th of July
Journal Writing and Talking Circles With Kids and Teens
Our classes are held outdoors under a bead-blue sky. We stretch out on the grass, a breeze blowing. I remind the group of twelve-year olds gathered not to worry about spelling or punctuation, the goal is to write as fast as they can, and produce a page or two or three of rough draft uncensored thoughts. To jump-start the kids into writing I lead with a question.
“What are a few things about yourself that you think other people don’t understand?” Then I add, as I do every time I work with students young or old, “Don’t worry if you veer off the topic. Just write anything that comes into your mind.” After each person has had time to write down thoughts, we go around the circle and anyone who wants to, reads what they have written. Confidentially is always a moot point. So, sometimes there are those who want to crumple up the paper after they have written, before or after reading aloud. That’s OK. The purpose is to tap into our minds, and see what might be lurking in our subconscious. We don’t need to save what we have written, or turn it into a monument. Writers are visionaries.
We routinely practice a form of faith, seeing clearly and moving toward a creative goal that shimmers in the distance. As a writer, and an instructor of creative writing, everyday I practice this form of faith. As a mother and grandmother with the goal of supporting my children's developing sense of identity of who they are, and where they come from, I also routinely practice faith by trusting that I am doing my best job of helping my kids find avenues to explore and launch their feelings. And silence is silence, and nothing about it is golden if I allow myself to believe that children, who don’t talk about race, or racial teasing or racial stereotyping, aren’t dealing with these issues.
The most effective journaling sessions are when the rules are firm. With kids and teens it’s generally best to set a “no parents allowed” rule. (Generally it is best to set a no parents allowed rule for anybody writing down their private thoughts, even for those of us who are over 50.) No criticizing, no making fun of anything anyone writes, with a focus on compassionate listening offers the best chance for kids to peel back the layers of their personalities, and figure out what they really want to say, and what questions they want to ask.
I’ve found the most successful journaling circles are when the kids have common bonds and emotional links with each other such as growing up Native American or Korean American or having been adopted transracially. I keep the majority of the writing topics open and flexible and not centered on adoption, or ethnicity and identity. Slants specific to those topic areas spring up automatically and will present themselves in a far more creative light than if I’d forced the subject. Yet usually I add one or maybe two writing topics in specific areas common to the group experience. Recently with a group of daughters adopted from China I opened by saying, “Name three ways in which you think of yourself as being typically Asian, and three ways in which you don’t.” I had a second specific theme to suggest they write on later on, except the group bent over their note pads and wrote fast, like the wind, and they spent the rest of the hour talking about a spin off comment, namely “If you could tell the kids at school exactly what you are thinking when they ask—but where are you really from?”
Since our purpose of journaling together is born of friendship, and not a therapy session where the focus is on identifying problems and finding solutions, I find it is best to let the writing flow naturally. Letting go of expectations is a must. As a lover of the written word, I want everyone to fall passionately into writing. But sometimes after a few minutes of writing everyone gets looped into a conversation. Which is why I follow journaling sessions with kids with a “Talking Circle” taken from my own American Indian oral tradition. When we do a Talking circle one person begins talking from their heart and they hold the “talking stick” while speaking, and have the opportunity to talk uninterrupted. When the person is finished speaking they pass the “talking stick” to the person next to them, and we go around the circle until everyone who wants to talk has had a chance to speak.
We are supportive listeners and refrain from offering suggestions or finding fixes because this cuts off the flow of conversation, respect and trust. When necessary I begin the dialogue but I don’t ride herd, my role is to act as guide, get the group going, and then let them drive. Even those kids who stay at the fringe of the group, or appear withdrawn or quiet, are still observing and learning from the group dynamics.
I’ve never facilitated or sat in any of the circles my kids have participated in because I wanted them to have a chance to figure out whom they might be without me breathing down their neck or trying to sneak a peek into their minds. Yet I’ve found when I gave my them the free space they needed to explore, we effortlessly communicated on a deeper level, often when I least expected it.
For example my son liked to tell me his deepest thoughts while I sat in five o’clock traffic, waiting to make a left turn. Looking back I know by timing it perfectly he was guaranteed I would listen, and not interrupt what he had to say.
As hard as it was to let my children go off alone to teen groups (and for my kids this also included transracial adoption groups, and cancer survivor, and siblings of cancer survivor camp intimate discussions) and not have any idea what they were thinking and experiencing— it was good practice for me because I felt those exact same pangs of longing and feeling left out when I dropped my daughter off at college and she moved into the dorm. And I felt that way again four years later when she graduated and got her first job, and moved into her own apartment.
Motherhood is about loving and being able to let go, and if we do the growing up right, our children will be blessed with opportunities to think and speak candidly about their feelings, and will walk away from us, one baby step at a time, towards rich and full lives of their own making.
First published at Adoption Today and reprinted at Speak Mom
Three Sections from MY LIFE
A friend once had a cabin perched on a bluff overlooking the lake, surrounded by gigantic pines, and now fireweed and purple-red flowers dotted the level earthen floor, in a place where a forest once stood. My son Jay, a pole star of my life, had passed. I knew I would never get over it. Nor would I ever be the same. And I would not give up or given in to societies mistaken notion of getting over grief. I’d find a way to learn to live with it and not allow it to hold me back.
I walked, circling the crater, and saw wild violets blooming. The mountain had been scattered and sundered into bits, and she survived. I swallow a clotty grief deep inside my throat. A grief so wide it gives me laryngitis. Bold and enthusiastic thoughts of my son Jay filled me.
I shuffled out into the empty field of my mind to find enough words to make it through another winter of writing. My life has changed into something I didn’t want, and I began gathering the pieces that were left of me, coaxing them back into growth, and starting again, but like the mountain I’d lost all of my big trees.
I felt myself a part of the mountain, with hills catching the sunset through a furious wind, dust devils kicking up dirt. All my senses became alive, out on the edge. I imagined fireweed blooming on the burned over land in my heart with tiny purple petals, and it was a beginning.
Terra Trevor: Writing, Reading and Living
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- An Afternoon with Wilma Mankiller
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