River, Blood, And Corn Literary Journal: A Community of Voices


As a writer with more than four decades of writing and publishing behind me, I spend a great deal of time working to make sure the diversity in writing I find important will continue. In 2010 River, Blood, And Corn Literary Journal was established and I began collaborating with writers, storytellers and artists, promoting community and strengthening cultures with storytelling, poetry and prose. Our starting point, and our goal, is to honor and continue the work of Lee Francis III, and Geary Hobson, founders of Wordcraft Circle of Native Writers and Storytellers, working to ensure the voices of Native writers and storytellers past, present and future, are heard throughout the world. A variety of writers, backgrounds, communities and viewpoints are presented. Included in our themes are the Elders whose lives informed, instructed, shaped and changed ours. 
 
While our primary focus is Indigenous writers, we have woven writers and artists from a variety of ethnicities and communities into our pages. Perhaps people of many ethnicities, including recent immigrants from throughout the Americas as well as other parts of the world will find something in this collection that will speak to them with respect to issues of race, identity, culture, community, and representation. 
 
Follow along with us. 
 
Terra Trevor, Founding Editor 

An Afternoon with Wilma Mankiller

This morning my thoughts center on a day back in 2006, when I was among those who gathered with Wilma Mankiller, former principal chief of the Cherokee Nation. We had lunch together followed by an afternoon of  conversation, outside on the grass, with the trees and birds, gathered with Native people from my community, and I was comforted with our common Indigenous bond, our shared essence.

I've been thinking about how lucky I am. When I least expect it I've had teachers, always showing up at the right time, exactly when I need them. 
For every success we have I believe it's important to remember how we got there. I wouldn’t have been able to accomplish all that I have without the steadfast guidance from good people who gave their time to me, mentoring, shepherding and guiding me along, and I am deeply thankful.

 

"When people cease waiting for great leaders or prophets to solve entrenched problems and look, instead, within themselves, trusting their own thinking, believing in their own power, and to their families and communities for solutions, change will follow. In traditional indigenous communities, there is an understanding that our lives play themselves out within a set of reciprocal relationships. If each human being in the world could fully understand that we all are interdependent and responsible for one another, it would save the world.—Wilma Mankiller




From: all-employees-bounces@lists.cherokee.org 
[mailto:all-employees-bounces@lists.cherokee.org] On Behalf Of Chad Smith
Sent: Tuesday, April 06, 2010 11:13 AM
To: All Employees (mailing list)
Subject: Wilma Mankiller

Dear Friends,
Our personal and national hearts are heavy with sorrow and sadness with the passing this morning of Wilma Mankiller, our former Principal Chief. We feel overwhelmed and lost when we realize she has left us but we should reflect on what legacy she leaves us. We are better people and a stronger tribal nation because her example of Cherokee leadership, statesmanship, humility, grace, determination and decisiveness. When we become disheartened, we will be inspired by remembering how Wilma proceeded undaunted through so many trials and tribulations. Years ago, she and her husband Charlie Soap showed the world what Cherokee people can do when given the chance, when they organized the self-help water line in the Bell community She said Cherokees in that community learned that it was their choice, their lives, their community and their future. Her gift to us is the lesson that our lives and future are for us to decide. We can carry on that Cherokee legacy by teaching our children that lesson.

Wilma asked that any gifts in her honor be made as donations to One Fire Development Corporation, a non-profit dedicated to advancing Native American communities though economic development, and to valuing the wisdom that exists within each of the diverse tribal communities around the world. Tax deductible donations can be made at www.wilmamankiller.com as well as www.onefiredevelopment.org.

Tomol Trek: California's Indigenous Peoples


Photo courtesy of author

Our classes are held outdoors under a bead-blue California sky. We work on a patch of green grass, an occasional hawk sweeping over with light shining through her rust red tail. Back in 1997, when there was money available to be used for education, the Santa Barbara County American Indian Education Project began the series “Tomol Trek.”

After much hard work, the project put together an academy with federal (Title V) funding. Each year the academy had a different focus. In 1997 the year’s final outcome was aimed at producing a modern-day recreation of a traditional Chumash tomol. The children and teenagers attending ranged from elementary through high school. Many were Chumash, but the kids represented a variety of tribes, all with a common bond: every one of these kid’s lives in an area that made up the traditional Chumash homeland. We all hold the culture, traditions, and history of the Chumash people in our hands and in our hearts.

The tomol, a type of plank canoe, is unique to the Chumash. Tomols were used for trips between the islands and Chumash settlements. Originally they were about thirty feet long, and could hold four thousand pounds. Usually they carried six people but could hold up to twelve.

Our modern-day tomol was built by the children under the guidance of Peter Howorth, in his backyard tomol building workshop. There is a perfect balance between master and apprentice as the children sand pieces of the vessel throughout construction. A dozen hands move slowly across the handle, moving towards the paddle end of an oar. Small hands, young hands, skin so smooth and maroon, peach-colored hands, muted brown, every child with a tribal memory circling her or his heart.

A kind of palpable energy surrounds the tomol project. People seem to want to be a part of what’s going on. American Indian students from Cal Poly and UCLA arrive to volunteer support. Before I know it, I’m one of those helping out. The more I sand, the closer I am to the tomol. Sometimes I stop in the middle of the day and am silent in respect to the ancient peoples who left the witness of their lives, their visions, the strength of their faith for us to ponder.

My son is one of those kids helping out. He knows about the pleasure found in working hard, and seeing the good results of that work. As he sands the pieces of wood I watch him find his relationship with the plank canoe he is helping to create.

Our real goal is not only the finished tomol; it is also the season long process of working together. Still, everyone eagerly waits the day the vessel will be launched. When the maiden voyage takes place, within the harbor, there is only a small gathering of people. Before the “official” crewmembers begin their training we get to know the tomol. Her name is Alolkoy—dolphin in Chumash. She is twenty-five feet long, and made of redwood. Conditions in the harbor are ideal. The sun is warm; a soft, steady sea breeze blows at our backs. We fill sandbags for ballast, and then one at a time, we each have a turn sitting inside the tomol.

Photo courtesy of author

My son finding his relationship with the Tomol he helped build.


Alolkoy is much lighter than I ever imagined. Slowly I become one with her. I only have to “think” of shifting my weight left, and she responds almost before I even move. By the end of the day I understand we should not take photographs while we are with her, not yet anyway. First I watch someone drop a camera into the ocean, and then the back of my camera opens, exposing my film.

Remembrance weighs heavy on my mind, as it does for most Native people seeking to affirm cultural identity in a high-tech world. There is a comfort in being with those who understand. Our kids do not have to trade in their Indian values for education; the project carried ancient memory and cultural knowledge into their lives today.

First Published in the winter 1997 issue of News from Native Californiaa quarterly magazine devoted to California's Indian peoples. 

Postscript
A number of the children who participated in the Tomol backyard building workshop have grown up to become crewmembers making the crossings from the mainland to Limuw - Santa Cruz Island. 

Copyright © Terra Trevor. All rights reserved. 

Autumn in Dixon, New Mexico





The land and the places where I have lived shape me. The land serves as elder, and friend. I walk in its grace, feel its solace and hear the stories it tells me. For many years my long-loved friend lived in Dixon, New Mexico. His door was always open for me. 

 




My friend has finished his walk on earth and has crossed over to the other side. From flesh and blood to souls and songs. 

I feel the wind spilling through the red and yellow leaves, and the fine dust from this red earth on my skin, as I walk the good land of the home I carry within.

 

Photo Credit: Randy, Santa Fe Daily Photos. 

The Cherokee Word for Water

I grew up within in a large extended Cherokee, Lenape, Seneca family, with lots of cousins, grandparents and great-grandparents, with roots in Oklahoma. Great-grandma could fix a meal to feed fifteen of us and I loved to sit beside her coal black stove, listening to her stories. I’m the granddaughter of sharecroppers, and I was born to a teenage mother and father in 1953. When I was young, we were poor—but we had water. 

Having water meant we always had plenty to eat. We had fresh running water to rinse, soak and simmer pots of pinto beans and black-eyed peas. In the summer when rainfall was not plentiful, since the water table was usually high, we could turn the hose on to soak the apple and peach tree and their fruit fed us in return.

There was water for pie baking, and when the sun seared overhead water to mix with Kool-Aid to freeze into popsicles. Home canned goods must be put up in hot, sterilized jars and we had water for boiling before we used them. We had water to wash our hands before pressing a tortilla on a hot skillet, and it was clean and safe to drink.

 

When no one else believed in them, they believed in each other. 


Set in the early 1980s, the story of The Cherokee Word for Water begins in a small town in rural Oklahoma where many houses lack running water. The film tells the story of a tribal community joining together to build a waterline by using traditional Native values of reciprocity and interdependence and is told from the perspective of Wilma Mankiller and Charlie Soap, who join forces to battle opposition and build a 16-mile waterline system using a community of volunteers. In the process, they inspire the townspeople to trust each other, to trust their way of thinking, and to spark a reawakening of the universal indigenous values of reciprocity and interconnectedness. This project also inspired a self-help movement in Indian Country that continues to this day.


The Cherokee Word for Water” is dedicated to Wilma Mankiller’s vision, compassion and incredible grace, and tells the story of the work that led her to become the Chief of the Cherokee Nation. The film was funded through the Wilma Mankiller Foundation to continue her legacy of social justice and community development in Indian Country. 

An All-American Korean American 4th of July


An armload of bulgogi covers the grill and a circle of friends surround the barbecue. Everyone has a pair of chopsticks in hand and turn slices of the sizzling beef. A picnic table is laden with platters of pindaettok, mandu, heaping bowls of kimchi, chap chae, and romaine lettuce leaves with red bean sauce for dipping. There is plenty of sliced watermelon of course, and three rice cookers stand ready in a row. There is laughter around the table.

After another helping of dry cuttle fish, after we eat as much food as we can hold, we find a grassy spot under a shade tree, pull out a folk guitar, stretch back on the grass, and sing. The familiar melody has me humming along, while the group sings the lyrics in Korean. Most of the time I forget that my husband, our youngest daughter and I are the only ones who are not Korean. At these gatherings all my friends are Korean American, like two of my children. The afternoon leaves me with a contented feeling, a sense of belonging, like I have when I go to a family reunion. 

However, my friends within the Korean community didn’t feel like family in the beginning, way back in 1987, when my kids were then four, six and ten. I needed to reach deep with faith, because in giving my kids the opportunity to grow up within an all-Asian group I also had to let go of them a little bit in order to allow them to find their place within the Korean community and to learn to identify and express themselves as Korean adoptees, instead of trying to fit into the stereotypical Korean model everyone expected them to be.

I’ve heard adoptive parents say they want the Korean American community to accept their family on the adoptive parents terms and not to absorb their kids. They don’t want them to take over. But I’ve never felt this way. I wanted my children to have the same opportunity to be immersed in the Korean community and discover their identity, as I did growing up mixed-blood Native American within Indian country. The difference is Korean culture was initially unfamiliar to me. We were making new friends and I was allowing them to take my children into a world unknown to me.

I remember my grandmother’s words. “Child,” she said, “We’re Indians, and our culture has been scattered into odds and bits, yet Indian people are determined to keep our life ways alive.” 

I wanted to give my kids what was given to me, to make it possible for them to gather bits and pieces of Korean culture and braid it into our lives, and show them how to hold their heritage high. While my son and my oldest daughter explored the constantly evolving questions of what it means to be Korean American, and my younger daughter who is Cherokee, Seneca and Irish, grew increasingly more diverse, my husband and I sank in roots and worked to build lasting relationships and to let our new friends know that our interest in doing so was heartfelt.

For three decades our Korean community gatherings provided me with some of the deepest sharing I’ve ever known. At the picnic we rest just long enough for our food to settle, and then it is time to play games. There are sack races, three-legged races, a water balloon toss, followed by a scavenger hunt. Everyone plays, the grandmas and grandpas, even babies are encouraged to join in, and there is always someone willing to lend a helping hand.

I find it wildly wonderful that fancy equipment is not needed for our game playing. We have a ball, a blindfold, two gunnysacks and we have each other. Just people enjoying one another, a day of slowing down and relaxing at the park, it’s not always an easy thing to find.

First published in Adoption Today. Reprinted in The Huffington Post.

Copyright © Terra Trevor. All rights reserved. Photo courtesy of the author.

Journal Writing and Talking Circles With Kids and Teens

I never say we’re going to learn our culture, but the kids learn it because they’re living it. In our journal writing circles I don’t necessarily say, we’re going to explore our identity, yet most of the time this is what we do. 

Our classes are held outdoors under a bead-blue sky. We stretch out on the grass, a breeze blowing. I remind the group of twelve-year olds gathered not to worry about spelling or punctuation, the goal is to write as fast as they can, and produce a page or two or three of rough draft uncensored thoughts. To jump-start the kids into writing I lead with a question. 

“What are a few things about yourself that you think other people don’t understand?” Then I add, as I do every time I work with students young or old, “Don’t worry if you veer off the topic. Just write anything that comes into your mind.” After each person has had time to write down thoughts, we go around the circle and anyone who wants to, reads what they have written. Confidentially is always a moot point. So, sometimes there are those who want to crumple up the paper after they have written, before or after reading aloud. That’s OK. The purpose is to tap into our minds, and see what might be lurking in our subconscious. We don’t need to save what we have written, or turn it into a monument. Writers are visionaries. 


We routinely practice a form of faith, seeing clearly and moving toward a creative goal that shimmers in the distance. As a writer, and an instructor of creative writing, everyday I practice this form of faith. As a mother and grandmother with the goal of supporting my children's developing sense of identity of who they are, and where they come from, I also routinely practice faith by trusting that I am doing my best job of helping my kids find avenues to explore and launch their feelings. And silence is silence, and nothing about it is golden if I allow myself to believe that children, who don’t talk about race, or racial teasing or racial stereotyping, aren’t dealing with these issues. 


The most effective journaling sessions are when the rules are firm. With kids and teens it’s generally best to set a “no parents allowed” rule. (Generally it is best to set a no parents allowed rule for anybody writing down their private thoughts, even for those of us who are over 50.) No criticizing, no making fun of anything anyone writes, with a focus on compassionate listening offers the best chance for kids to peel back the layers of their personalities, and figure out what they really want to say, and what questions they want to ask.

I’ve found the most successful journaling circles are when the kids have common bonds and emotional links with each other such as growing up Native American or Korean American or having been adopted transracially. I keep the majority of the writing topics open and flexible and not centered on adoption, or ethnicity and identity. Slants specific to those topic areas spring up automatically and will present themselves in a far more creative light than if I’d forced the subject. Yet usually I add one or maybe two writing topics in specific areas common to the group experience. Recently with a group of daughters adopted from China I opened by saying, “Name three ways in which you think of yourself as being typically Asian, and three ways in which you don’t.” I had a second specific theme to suggest they write on later on, except the group bent over their note pads and wrote fast, like the wind, and they spent the rest of the hour talking about a spin off comment, namely “If you could tell the kids at school exactly what you are thinking when they ask—but where are you really from?” 

Since our purpose of journaling together is born of friendship, and not a therapy session where the focus is on identifying problems and finding solutions, I find it is best to let the writing flow naturally. Letting go of expectations is a must. As a lover of the written word, I want everyone to fall passionately into writing. But sometimes after a few minutes of writing everyone gets looped into a conversation. Which is why I follow journaling sessions with kids with a “Talking Circle” taken from my own American Indian oral tradition. When we do a Talking circle one person begins talking from their heart and they hold the “talking stick” while speaking, and have the opportunity to talk uninterrupted. When the person is finished speaking they pass the “talking stick” to the person next to them, and we go around the circle until everyone who wants to talk has had a chance to speak. 

We are supportive listeners and refrain from offering suggestions or finding fixes because this cuts off the flow of conversation, respect and trust. When necessary I begin the dialogue but I don’t ride herd, my role is to act as guide, get the group going, and then let them drive. Even those kids who stay at the fringe of the group, or appear withdrawn or quiet, are still observing and learning from the group dynamics. 


I’ve never facilitated or sat in any of the circles my kids have participated in because I wanted them to have a chance to figure out whom they might be without me breathing down their neck or trying to sneak a peek into their minds. Yet I’ve found when I gave my them the free space they needed to explore, we effortlessly communicated on a deeper level, often when I least expected it. 


For example my son liked to tell me his deepest thoughts while I sat in five o’clock traffic, waiting to make a left turn. Looking back I know by timing it perfectly he was guaranteed I would listen, and not interrupt what he had to say. 


As hard as it was to let my children go off alone to teen groups (and for my kids this also included transracial adoption groups, and cancer survivor, and siblings of cancer survivor camp intimate discussions) and not have any idea what they were thinking and experiencing— it was good practice for me because I felt those exact same pangs of longing and feeling left out when I dropped my daughter off at college and she moved into the dorm. And I felt that way again four years later when she graduated and got her first job, and moved into her own apartment. 

Motherhood is about loving and being able to let go, and if we do the growing up right, our children will be blessed with opportunities to think and speak candidly about their feelings, and will walk away from us, one baby step at a time, towards rich and full lives of their own making.  

First published at Adoption Today and reprinted at Speak Mom

Copyright © Terra Trevor. All rights reserved. 

Three Sections from MY LIFE

I received a long-awaited phone call from my social worker. But before I answered the phone I had one of those knowing-feelings and knew it would be the adoption agency telling me about my soon-to-be child.

Then on a crisp morning in Seoul, Korea, a wide-eyed baby was readied to leave his homeland. Dressed in a pink bunting to keep out the winter chill, one-year-old Kook Yung was carried aboard Korean Airlines, and he set off for a new life; adoption in the United States.

When the plane landed in California, Kook Yung was placed in my arms, and I felt awareness deeper than the ocean, grasping the loss his first mother endured. That boy became my son, Jay. The one who would later pick purple and yellow wild flowers for me, and bestowed me with the title of adoptive parent and the pleasure of being his mother. 

.   .   .

We had three kids. First I gave birth to our daughter and our son was placed with us as a one-year old with special needs from Korea. Then we added a third child to our family who came to us from foster care at age ten. When we decided to add more children to our family we wanted to make a difference in this life by parenting children who were already born, waiting, and needing a family. We wanted kids that were considered hard to place because deep down inside I knew adopting children who were waiting to be matched with parents was my calling in life. When I shared this with my husband he said, “I've got that same feeling.” Then we tortured ourselves by examining and delving into the myriads of types of special needs placements we wanted to pursue. We wanted a child with a special need, but we only wanted to take a small risk.

Looking back, I can see that our thinking was pretty much the same as those who claim they only want to parent a “healthy child.” We wanted to believe that it was possible to be in control of the outcome. We wanted to chart our future and to be able to map out our children’s medical conditions. But when I gave birth to my first child we were open to receiving our baby in whatever form he or she was delivered into this world with. Why then when it came to foster care or adoption did we insist on only children who would carry a medical label that felt minor and easy for us to handle?

Today if I were to bring another child into my family, I'd like to believe I would welcome the opportunity to consider all types of special needs, instead of only those requiring corrective surgery. Now I’d consider receiving a child with a host of unknowns, because the unexpected special medical need our son developed much later on, that we did not choose, which we would have given anything to avoid, has reshaped me, chiseled off my rough edges and softened me, made me better, and filled me with tender grace. But back then I was looking for a guarantee that my children would have only minor health issues.

After nearly a year of waiting, finally the call came and we received a referral for a one-year-old boy in Korea who was born with Syndactyly. His fingers on both hands were joined together, bones and all, making his hands look like small mittens. Might this child be right for our family? We wanted this child and we began to do medical research to familiarize ourselves with what this condition would mean. While we considered what might be ahead health-wise for our child to be, our good friend, Bruce, who is blind and lost his eyesight as a young adult, yet went on to become an outstanding wood craftsman and cabinet maker, kept telling us he had a strong feeling this was going to be one of those things we looked back on as no big deal, and that our little boy was going to be fine.

And when my son was placed in my arms, immediately I understood something was far beyond ordinary about him. He was calm and centered in a way that let you know he possessed a great amount of wisdom; his presence made skeptics believe in angels. 

There was something extraordinary about the trauma that surrounded Jay’s early life and how he eased his way through it. He endured the first syndactyly-release surgery when he was eighteen months old, and the process involved skin grafting, with grafts taken from the soft skin near his groin area. Every few months he underwent another surgery to separate another finger, and by the time he was five, he had ten individual fingers. Granted they were misshapen and scared. But he had fingers. Fingers that he could now stuff into gloves, or a baseball mitt, which delighted him, and he found his own way of making his new fingers work perfectly for his needs.

Turned out Bruce was right. The condition that caused Jay to be placed with us as “Special Needs” when we adopted him, turned out to be hugely unimportant. We’d managed to have an easy outcome, just like we set out to do in the beginning. It breaks my heart, however, knowing that if my son had congenital heart disease, or a host of other diagnosis, or if I had looked into my crystal ball, chances are we would have been frightened off, and might not have adopted him, causing me to miss out on having him for my son and some of the best years of my life as a mother.

The truth is before we adopted Jay I did look into my crystal ball, or rather I went to the hilltop and I got real quiet, and what I knew for certain was that if we adopted this baby, it would be wonderful, better than anything I could ever imagine, and that his life circle would be small. Within a slip of a moment I could feel my joy and pain braided together, and I knew that I was meant to take this journey. When I know something, I know. But how could I know? As a young child I discovered that often I feel things, and I know.

With my vision tucked into the recesses of my mind, for the next six years I enjoyed a blissful, wonderful motherhood, joyous beyond measure. Then suddenly ours life changed forever. I learned that 7-year-old Jay had a brain tumor. 

Following surgery, radiation, and then chemo, the cancer went into remission and the brain tumor was gone, and stayed gone for much longer than the doctors had initially predicted. Each time Jay had an MRI, the scan came back perfectly clear. He was back to snorkeling at the beach, and he looked healthy, if fragile. And on the head of a pin we delighted in eight more wonderful years, joyous beyond measure. And then the tumor came back, and Jay died at age 15.

Following my son's death, I felt the way Mt. St. Helens looked ten years after her summit was removed by a volcanic eruption. I stood under an evening sky watching the slate blue dusk blend into ragged peaks and lava domes. 

A friend once had a cabin perched on a bluff overlooking the lake, surrounded by gigantic pines, and now fireweed and purple-red flowers dotted the level earthen floor, in a place where a forest once stood. My son Jay, a pole star of my life, had passed. I knew I would never get over it. Nor would I ever be the same. And I would not give up or given in to societies mistaken notion of getting over grief. I’d find a way to learn to live with it and not allow it to hold me back. 


I walked, circling the crater, and saw wild violets blooming. The mountain had been scattered and sundered into bits, and she survived. I swallow a clotty grief deep inside my throat. A grief so wide it gives me laryngitis. Bold and enthusiastic thoughts of my son Jay filled me. 


I shuffled out into the empty field of my mind to find enough words to make it through another winter of writing. My life has changed into something I didn’t want, and I began gathering the pieces that were left of me, coaxing them back into growth, and starting again, but like the mountain I’d lost all of my big trees. 


I felt myself a part of the mountain, with hills catching the sunset through a furious wind, dust devils kicking up dirt. All my senses became alive, out on the edge. I imagined fireweed blooming on the burned over land in my heart with tiny purple petals, and it was a beginning.

That was in 1999. Like a river stone tumbling in the raging water, my grief has grown softer, and I found gold along the way, but I had to reach for it. If I had the chance to do it over again, I would choose to be Jay’s mother and take this journey again. Everyday I thank my lucky stars. Out of this has come an unimagined gift. Loving Jay with all my heart and soul, and having to let go, gives me the faith to open my arms and embrace each moment. The special need Jay came to this earth with—was to spread his love wide.

Copyright © Terra Trevor. All rights reserved.