The People Who Stayed: Southeastern Indian Writing After Removal

The University of Oklahoma Press 

Native literature, composed of western literary tradition is packed into the hyphens of the oral tradition. It is termed a “renaissance” but contemporary Native writing is both something old emerging in new forms and something that has never been asleep. The two-hundred-year-old myth of the vanishing American Indian still holds some credence in the American Southeast, the region from which tens of thousands of Indians were relocated after passage of the Indian Removal Act in 1830. Yet, a significant Indian population remained behind after those massive relocations. 

I'm honored to have my work included in the first anthology to focus on the literary work of Native Americans with ancestry to “people who stayed” in southeastern states after 1830. 

This volume represents every state and every genre, including short stories, excerpts from novels, poetry, essays and plays. Although most works are contemporary, the collection covers the entire post-Removal era. While many speak to the prospects and perils of acculturation, all the writers bear witness to the ways, oblique or straightforward, that they and their families are connected and honor their Indian identities despite the legacy of removal. 

The People Who Stayed: Southeastern Indian Writing After Removal 
edited by Geary Hobson, Janet McAdams, and Kathryn Walkiewicz

Unraveling the Spreading Cloth of Time: Indigenous Thoughts Concerning The Universe

"All the tribes say the universe is just the product of mind... It fits perfectly with the quantum. Indians believe the universe is mind, but they explore the spiritual end of it, not the physical end." 
—Vine DeLoria Jr.

This brilliant anthology explores quantum physics in relation to Indigenous peoples' understanding of the spiritual universe. Includes writings from 40 Native writers from various nations, and I'm honored to have my work included.  

Contributing authors include, Suzan Shown Harjo, Gabriel Horn, John Trudell, Dean Hutchins, Lois Red Elk, Suzanne Zahrt Murphy, Amy Krout-Horn, Jack D. Forbes, John D. Berry, Sidney Cook Bad Moccasin, III, Trace A. DeMeyer, Clieord E. Trafzer, William S. Yellow Robe, Jr., Bobby González, Duane BigEagle, Carol Wille`e Bachofner, Lela Northcross Wakely, Georges Sioui, Keith Secola, Mary Black Bonnet, Kim Shuck, Trevino L. Brings Plenty, Dawn Karima Pe`igrew, Stephanie A. Sellers, Natalie bomas Kindrick, Basil H. Johnston, Barbara-Helen Hill, Alice Azure, Phyllis A. Fast, Doris Seale, Terra Trevor, Denise Low, Vine Deloria Jr., Jim Stevens, ire’ne lara silva, Susan Deer Cloud, Odilia Galván Rodríguez, Tiokasin Ghosthorse, Tony Abeyta, MariJo Moore. 

Unraveling the Spreading Cloth of Time
Edited by MariJo Moore and Trace A. DeMeyer

Birthed from Scorched Hearts: Women Respond to War

Author MariJo Moore contacted me about an anthology she was putting together, a gathering of women's voices steeped with themes of  war, and asked if she could include a selection from my memoir Pushing up the Sky
 
I'm honored to announce the chapter “Fall, 1998” in Pushing up the Sky, along with a new introduction, now shares company in Birthed from Scorched Hearts: Women Respond to War, which includes work by an impressive tapestry of women's voices. 
 
Award-winning author MariJo Moore, asked women writers from around the world to consider the devastating nature of conflict—inner wars, outer wars, public battles, and personal losses and battles on the home front. Their answers, in the form of poignant poetry and essays, examine war in all its permutations, from Ireland to Iraq and everywhere in between. With contributions from well-known authors including Linda Hogan, Paula Gunn Allen, Carolyn Dunn, Kim Shuck, Terra Trevor, and numerous others, this moving anthology encompasses a wide range of voices. 
 
A page from Birthed from Scorched Hearts: Women Respond to War by Terra Trevor 
 
On a crisp December morning in 1984 under a bright blue sky in Seoul, Korea, a wide-eyed baby was readied to leave his homeland. Dressed in a pink bunting to keep out the winter chill, one-year-old Kook Yung was carried aboard Korean Airlines, and he set off for a new life; adoption in the United States. When the plane landed at Los Angeles International airport that boy was placed in my arms and he became my son. 

But I’m getting ahead of myself. My story begins in 1953, shortly after I was born, when the end of the Korean War set the course of my life, because the ending of the war signaled the beginning of inter-country adoption of Korean-born children. 
 
After the war everything changed. Within a country with a long-standing national tradition of pure blood lineage, shared ethnic identity and culture, suddenly there were mass numbers of orphaned children. Many of these babies and children were mixed race, and were introduced to a largely unwelcoming homogenous Korea. Single mothers were shunned. Crowded orphanages operating with scarce resources were unable to accommodate the high numbers of orphans. In response, South Korea turned to alternatives to find a solution and Korean adoption was born officially in 1954. 
 
Today a growing number of families in Korea have begun to adopt and the country is hoping to eventually eliminate the need for adoption outside of Korea. Yes, the Korean people do adopt, I know this because I was invited to speak on a panel, and it was comprised of four American adoptive mothers and four Korean Nationals who are adoptive mothers, at the KAAN Conference in 2006, held in Seoul. 
 
Yet in 1984, when I adopted my son, Korea was a nation still struggling to come into its own. I had a profound knowing-feeling when the telephone rang the day we received our adoption referral. I was outside watering sprouting morning glories, and before I answered the phone, I knew it would be the adoption agency telling me about my soon-to-be child. 
 
The first time I held one-year old Kook Yung, immediately I understood something was far beyond ordinary about him. He was a calm and centered baby, in a way that let you know he possessed a great amount of wisdom. His presence made skeptics believe in angels. 
 
I didn’t know that my son’s life would be short and that he would live to be only fifteen, and that I was being called for the highest motherhood duty. Yet if I had it to do over again, I wouldn’t change a thing. The amount of joy Kook Yung brought me outweighs anything else, and has made me whole.

Copyright © 2008 Terra Trevor. All rights reserved.