Unpapered: Writers Consider Native American Identity and Cultural Belonging

Edited by Diane Glancy and Linda Rodriguez 

I'm honored to have my work included. Unpapered is a collection of personal narratives by Indigenous writers exploring the meaning and limits of Native American identity beyond its legal margins. Native heritage is neither simple nor always clearly documented, and citizenship is a legal and political matter of sovereign nations determined by such criteria as blood quantum, tribal rolls, or community involvement. Those who claim a Native cultural identity often have family stories of tenuous ties dating back several generations. Given that tribal enrollment was part of a string of government programs and agreements calculated to quantify and dismiss Native populations, many writers who identify culturally and are recognized as Native Americans do not hold tribal citizenship. 
 
Unpapered charts how current exclusionary tactics began as a response to “pretendians”—non-indigenous people assuming a Native identity for job benefits—and have expanded to an intense patrolling of identity that divides Native communities and has resulted in attacks on peoples’ professional, spiritual, emotional, and physical states. An essential addition to Native discourse, Unpapered shows how social and political ideologies have created barriers for Native people truthfully claiming identities while simultaneously upholding stereotypes.

Take A Stand: Art Against Hate


I'm honored to have my work included.

“The poems and stories in this anthology offer necessary anecdotes against hate. They are inscription, instruction, witness, warning, remedy, solution, even solace. This anthology is relief.” —Diane Glancy, winner of an Amerian Book Award and the Pablo Neruda Prize for Poetry 

“We can regard Take a Stand: Art Against Hate as a print-form peace march, an ongoing campaign for justice for all of the struggles embodied in these writings and depicted in the artwork included here.” —Carolyne Wright
co-editor of Raising Lilly Ledbetter: Women Poets Occupy the Workspace

Take a Stand: Art Against Hate, contains poems, stories and images from 117 writers, 53 artists, with 69 illustrations, divided into five fluid and intersecting sections: LegaciesWe Are HereWhy?Evidence, and Resistance. We begin with Legacies because the current increased climate of hate in this country didn’t begin with the 2016 election, and to find its roots we must look to U.S. history.

A Motherhood Life Lesson

My babies are all grown. I no longer sneak off to finish that one last page. I’ve learned not to try. Now I’m a grandmother, and it’s easier to just stop the writing for a while. As if by magic assorted little people are tromping through my house again, requiring Band-Aids, water. Pulling books off the shelves and asking me to read one more story and then we snuggle with books on our laps. 
 
With my husband I raised three children. Two of our kids came to us through transracial adoption and foster care in the early 1980s. We waded into uncharted territory, as not only were two of our children Korean (I'm mixed-blood American Indian, and my husband is white) but by adding a foster child who was the oldest, and we later adopted at age 12, we also changed the birth order within our family. Next our son, then age 7 in 1991, was diagnosed with a brain tumor—an event that changed all of our lives and taught me to let go of expectations and to forge a new identity. 

What has motherhood taught me? 

If could jump cut back to my early years and have a talk with my younger self, I would say, “Terra you have three children and their childhood will run through your fingers like water as you lift your hand to capture a moment with the camera. In what feels like the flick of an eyelash they will be adults, miles and miles on their own." 

If I could step back in time, I would teach my children not to fear mistakes, let them know that failure doesn't exist, and that what some people think of as failure is really only a temporary setback. If I could walk in my younger mother shoes one more time I’d say, “Every day write down three things you adore about your children, because you will want to have this list when your kids are grown. You will want to remember and write it in their birthday cards when they turn 40 and 50.” 
 
I would tuck notes into my pockets reminding myself—when I’m having difficulties, admit it. Line up support ahead of time. Find a good therapist before I need one. Keep my sense of humor. Whenever I can, laugh at myself. And, so what if the house is messy, again, right after I’ve cleaned it. 
 
Every day I’d tell my children I loved them and let them know they are dear to me, even on the days when they broke curfew, spilled something sticky on computer keyboard, or put a dent in the car. 
 
If time were returned to me, I’d remember to be kind even when I was sick with a cold, had to work overtime and was in a bad mood. 

I would send myself e-mails saying, "Have more faith because one day the searing pain you feel about your son's death will become softer, and like a river stone in the raging water it will smooth into tender grace." 
 
I'd write letters to myself saying don't worry, but always remember one of your kids wears a raincoat on her heart, sealed in plastic, to keep out further hurt and pain. She is hurting from from much loss, and years in multiple foster homes. Hug her lightly and often. And don’t pay attention to what the experts say. You won’t be able to solve the bonding problems, but you can give up your silly notions about the way things ought to be, and allow her to go off and live her life, her way, and love will ebb, like waves rolling in and out on the beach. 
 
Most of all, I would tell myself to let go of my great expectations. To just take care of the moments and the years will take care of themselves. Because things will turn out to be better than what I mapped out and had planned, and that’s a promise.

First published in Adoption and Foster Parenting Today.
Copyright © Terra Trevor. All rights reserved. 

Author Terra Trevor turns to themes of motherhood 
In these twenty-two essays, author Terra Trevor explores themes of motherhood, race and identity, foster care, transracial adoption, community and family ties.

Pushing up the Sky: A Mother's Story

"Terra Trevor’s ‘Pushing up the Sky’ is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." 

—Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education

Korean American Adoptee Adoptive Family Network
1st Edition Hardcover. KAAN 2006