A Motherhood Life Lesson

My babies are all grown. I no longer sneak off to finish that one last page. I’ve learned not to try. Now I’m a grandmother, and it’s easier to just stop the writing for a while. As if by magic assorted little people are tromping through my house again, requiring Band-Aids, water. Pulling books off the shelves and asking me to read one more story and then we snuggle with books on our laps. 
 
With my husband I raised three children. Two of our kids came to us through transracial adoption and foster care in the early 1980s. We waded into uncharted territory, as not only were two of our children Korean (I'm mixed-blood American Indian, and my husband is white) but by adding a foster child who was the oldest, and we later adopted at age 12, we also changed the birth order within our family. Next our son, then age 7 in 1991, was diagnosed with a brain tumor—an event that changed all of our lives and taught me to let go of expectations and to forge a new identity. 

What has motherhood taught me? 

If could jump cut back to my early years and have a talk with my younger self, I would say, “Terra you have three children and their childhood will run through your fingers like water as you lift your hand to capture a moment with the camera. In what feels like the flick of an eyelash they will be adults, miles and miles on their own." 

If I could step back in time, I would teach my children not to fear mistakes, let them know that failure doesn't exist, and that what some people think of as failure is really only a temporary setback. If I could walk in my younger mother shoes one more time I’d say, “Every day write down three things you adore about your children, because you will want to have this list when your kids are grown. You will want to remember and write it in their birthday cards when they turn 40 and 50.” 
 
I would tuck notes into my pockets reminding myself—when I’m having difficulties, admit it. Line up support ahead of time. Find a good therapist before I need one. Keep my sense of humor. Whenever I can, laugh at myself. And, so what if the house is messy, again, right after I’ve cleaned it. 
 
Every day I’d tell my children I loved them and let them know they are dear to me, even on the days when they broke curfew, spilled something sticky on computer keyboard, or put a dent in the car. 
 
If time were returned to me, I’d remember to be kind even when I was sick with a cold, had to work overtime and was in a bad mood. 

I would send myself e-mails saying, "Have more faith because one day the searing pain you feel about your son's death will become softer, and like a river stone in the raging water it will smooth into tender grace." 
 
I'd write letters to myself saying don't worry, but always remember one of your kids wears a raincoat on her heart, sealed in plastic, to keep out further hurt and pain. She is hurting from from much loss, and years in multiple foster homes. Hug her lightly and often. And don’t pay attention to what the experts say. You won’t be able to solve the bonding problems, but you can give up your silly notions about the way things ought to be, and allow her to go off and live her life, her way, and love will ebb, like waves rolling in and out on the beach. 
 
Most of all, I would tell myself to let go of my great expectations. To just take care of the moments and the years will take care of themselves. Because things will turn out to be better than what I mapped out and had planned, and that’s a promise.

First published in Adoption and Foster Parenting Today.
Copyright © Terra Trevor. All rights reserved. 

Author Terra Trevor turns to themes of motherhood 
In these twenty-two essays, author Terra Trevor explores themes of motherhood, race and identity, foster care, transracial adoption, community and family ties.

Pushing up the Sky: A Mother's Story

"Terra Trevor’s ‘Pushing up the Sky’ is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." 

—Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education

Korean American Adoptee Adoptive Family Network
1st Edition Hardcover. KAAN 2006


The Cherokee Word for Water

I grew up within in a large extended Cherokee, Lenape, Seneca family, with lots of cousins, grandparents and great-grandparents, with roots in Oklahoma. Great-grandma could fix a meal to feed fifteen of us and I loved to sit beside her coal black stove, listening to her stories. I’m the granddaughter of sharecroppers, and I was born to a teenage mother and father in 1953. When I was young, we were poor—but we had water. 

Having water meant we always had plenty to eat. We had fresh running water to rinse, soak and simmer pots of pinto beans and black-eyed peas. In the summer when rainfall was not plentiful, since the water table was usually high, we could turn the hose on to soak the apple and peach tree and their fruit fed us in return.

There was water for pie baking, and when the sun seared overhead water to mix with Kool-Aid to freeze into popsicles. Home canned goods must be put up in hot, sterilized jars and we had water for boiling before we used them. We had water to wash our hands before pressing a tortilla on a hot skillet, and it was clean and safe to drink.

 

When no one else believed in them, they believed in each other. 


Set in the early 1980s, the story of The Cherokee Word for Water begins in a small town in rural Oklahoma where many houses lack running water. The film tells the story of a tribal community joining together to build a waterline by using traditional Native values of reciprocity and interdependence and is told from the perspective of Wilma Mankiller and Charlie Soap, who join forces to battle opposition and build a 16-mile waterline system using a community of volunteers. In the process, they inspire the townspeople to trust each other, to trust their way of thinking, and to spark a reawakening of the universal indigenous values of reciprocity and interconnectedness. This project also inspired a self-help movement in Indian Country that continues to this day.


The Cherokee Word for Water” is dedicated to Wilma Mankiller’s vision, compassion and incredible grace, and tells the story of the work that led her to become the Chief of the Cherokee Nation. The film was funded through the Wilma Mankiller Foundation to continue her legacy of social justice and community development in Indian Country.